Part 8 Piano Hand Coordination Learn Piano Dance in 3 Beats
- Category Other
- Type Tutorials
- Language English
- Total size 231.7 MB
- Uploaded By freezedude
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- Last checked 1 week ago
- Date uploaded 8 years ago
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Part 8 Piano Hand Coordination Learn Piano Dance in 3 Beats
Details:
#8 Piano Hand Coordination: Learn Piano Dance in 3 Beats
MP4 | Video: AVC 1280x720 | Audio: AAC 44KHz 2ch | Duration: 1 Hours | Lec: 27 | 238 MB
Genre: eLearning | Language: English.
Learn how to play beautiful piano runs coming down as piano fills. Make your piano run coming down like dancing rain.
Learn How To Play Piano Runs Coming down in 3 Beats & Coordinate LH & RH when you play a song in 9/4 Times.
In this course, you are going to expand your horizon and contrasting beautiful piano runs coming down in 3 beats.
When we put in piano techniques, we need to learn to play in contrary motion to create artistic sounds.
if we play runs always going up, it sounds very boring.
Here's the Secret: Create artistic sounds with jumping notes. Go up and and Come Down.
Raindrop Filler notes are created in the following way:
The notes of the Raindrops are actually coming down
The notes are not all tumbling down
The notes vary going up and down to create a dancing mood
When notes go up and down but in cascading format, they dance
You can create these raindrop fillers in 6 distinctive sounds
In this course, you are going to follow my method to play beautiful raindrop fillers in 3 beats:
Play Beautiful Raindrop fillers in the flow in 3 beats
Learn how to let your fingers flow without counting mechanically
Put both of your hands in chord positions
Learn how to move your RH fingers moving up and down
Know how to play the chord tones in LH
Coordinate both LH and RH smoothly as you create these dancing tones
Learn my Fun Practising Method:
1. Practice one hand at a time.
2. Practice with Score sheet so that you know how to fill in the runs.
3. Practice with using Chords + Rhythm notations.
4. Practice with only Chords.
5. Finally practice playing by Ear.
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