Love - Reel to Real [Deluxe Edition] (2015) FLAC Beolab1700

Love - Reel to Real [Deluxe Edition] (2015) FLAC Beolab1700

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Love - Reel to Real (Deluxe Edition)
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Artist...............: Love
Album................: Reel to Real (Deluxe Edition)
Genre................: Rock
Source...............: CD
Year.................: 2015
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 59 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: thanks to Pali Gap

Posted by............: Beolab1700 on 04/12/2015

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Tracklisting
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1. Time Is Like a River
2. Stop the Music
3. Who Are You?
4. Good Old Fashion Dream
5. Which Witch Is Which
6. With a Little Energy
7. Singing Cowboy
8. Be Thankful for What You Got
9. You Said You Would
10. Busted Feet
11. Everybody’s Gotta Live
12. Do It Yourself [Outtake]
13. I Gotta Remember [Outtake]
14. Somebody [Outtake]
15. You Gotta Feel It [Outtake]
16. With a Little Energy [Alternate Mix]
17. Busted Feet [Alternate Mix]
18. You Said You Would [Single Mix]
19. Stop the Music [Alternate Take]
20. Graveyard Hop [Studio Rehearsal]
21. Singing Cowboy [Alternate Take]
22. Everybody’s Gotta Live [Electric Version]
23. Wonder People (I Do Wonder) [Studio Rehearsal]

Tracks 12-23 are previously unreleased except Track 18

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Arthur Lee had every reason to feel disenchanted with his career in 1974, as his harder rock moves on 1970’s False Start and his 1972 solo debut Vindicator didn’t please critics or fans and his deal with the fledgling Buffalo Records label left him with an unreleased album, Black Beauty, when the company abruptly crashed and burned.
Lee had started dipping his toes into material with a stronger R&B edge on Black Beauty, and when RSO Records gave him another chance at a major-label deal, he dove in headfirst: in a Rolling Stone interview, Lee said Reel to Real was his effort to get “as black and funky as I can, man, on my music.”
If folks hoping for another Da Capo or Forever Changes weren’t pleased with False Start or Vindicator, they were simply confused by Reel to Real‘s funk grooves and banks of horns and keyboards (not to mention a lineup that featured no previous members of Love but Lee). However, while the album has often been written off as a failure, Reel to Real is an album with more than its share of great moments, even if it’s inarguably uneven. Lee’s vocals are tough but eloquent on these tunes, and though the music is often rooted in deep funk (especially on the percolating “Who Are You” and “With a Little Energy”), blues (“Which Witch is Which”), and vintage R&B (“Stop the Music”), the fierce guitar work from Lee, Melvan Whittington, and John Sterling makes it clear Lee hadn’t cut his ties to rock & roll. Psychedelia doesn’t really play a part in this music, but the introspective twists of Lee’s lyrics confirm he still had plenty to say about the world around him and the universe inside his mind. And the closing acoustic version of “Everybody’s Gotta Live” (which first appeared on Vindicator) offered a glimpse of the sly, thoughtful hippie who had recorded Forever Changes just seven years earlier. Reel to Real plays more like an Arthur Lee solo effort than a Love album (and was blighted with a singularly ugly cover), but it’s a good Arthur Lee album, with a tighter focus and a more thoughtful perspective than Vindicator, proving Lee still had a great deal to say even if his audience didn’t care to listen.

In 2015, High Moon Records gave Reel to Real a long overdue reissue in an expanded edition that included 12 bonus tracks, most of them alternate takes or unused material from the original album’s sessions, as well as a 34-page booklet featuring an outstanding essay on the making of the album from David Fricke and plenty of rare photos.

These bonus cuts encompass alternate takes and mixes, live-in-studio rehearsals, and four newly-discovered Arthur Lee originals: “Do It Yourself,” “I Gotta Remember,” “Somebody” and “You Gotta Feel It.” Other bonus track highlights include an extended, alternate mix of “Busted Feet,” the single mix of “You Said You Would,” and an impromptu studio rehearsal of Forever Changes outtake “Wonder People (I Do Wonder).”

Like High Moon’s reconstruction of Black Beauty, this new edition of Reel to Real has been assembled with care and respect, and deserves the attention of anyone who has ever loved the music of Arthur Lee.

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